A "People Book" from a "People Person"

On Thursday my wife Ann and I will celebrate 14 years of marriage. We're very happy and with the recent addition of our daughter Katie it's hard for us to imagine a better relationship or a stronger family.

That wasn't always the case, though. By January 2005 we had a marriage where conflict was regularly damaging our relationship. We still cared about each other, but we weren't connected in a healthy or sustainable way. We were headed for divorce.

That's when we got a recommendation to see Dr. Alan Godwin (pictured on right). We called him and arranged an appointment.

Neither one of us knew what to expect. Would this help save our marriage? And what was this Dr. Godwin like?

A clue to the man and his methods came as he opened the door to show us into his office that first day. He greeted us with one of the warmest smiles and firmest (yet gentlest) handshakes I've ever encountered. His eyes were bright and his pleasant Southern accent was inviting.

"Hello. Call me Alan," he said as I started to greet him with his professional title and last name.

Alan made us feel better about what we were doing during the first moments of meeting him.

There were many sessions after that first appointment. They were sometimes hard and often painful. It wasn't easy to jettison bad behavioral habits and develop what Alan called a "new process" to deal with conflicts so our marriage could survive and thrive. But Alan, patient and caring, worked with us together and separately over many months as we created that new process and placed our marriage and individual lives into healthier, more flexible frameworks.

During those sessions it became obvious to me that Alan Godwin is more than a licensed psychologist who counsels couples as part of his professional practice. He's a "people person" whose strong empathy for others makes him well-suited to his vocation.

Now that "people person" has written a "people book" that's well worth reading, whether your relationship troubles concern your spouse, another family member, friend, colleague or acquaintance. How to Solve Your People Problems: Dealing with Your Difficult Relationships is a thoughtful, easy-to-read guide to handling the inevitable conflicts that come through human interaction.

I've been an actor and journalist. I know you have to be aware of your audience to be a successful communicator. Alan knows his audience too - he doesn't descend into a pedantic written lecture on the never-ending quest to understand the human brain or give us a mind-numbing history lesson on the development of modern psychoanalytic techniques. His writing style is like the man himself - down-to-earth, friendly, often funny and always insightful.

His book starts with an introduction called Good Conflict Camp that notes our often childish behavior when conflicts arise and truths about those conflicts. Two of those truths stand out to me as being necessary to embrace in order to become better at dealing with conflict: that we naturally handle conflict poorly and that conflict with reasonable and unreasonable people must be handled differently. Those may seem obvious when they appear in a book but I know I've failed to heed both truisms on several occasions.

The book is then broken up into three sections: People and Problems, Reasoning with the Reasonable and Dealing with the Unreasonable. Alan leads us through a myriad of man-made relationship minefields with examples taken from his personal and professional experiences, references to Biblical text, relevant quotations and common-sense observations. There are summations called In a Nutshell and For Reflection questions that help us focus our thoughts as we finish portions of the book.

A portion that resonates strongly with me occurs near the end of the Reasoning with the Reasonable section. It's a list of questions I now try to ask when I'm in conflict with someone else. The list is called the 5 Crucial Questions for Good Conflict:

Which problem will we fix?
Why do we feel so strongly?
How can we agree to fix this?
What will we do to implement it?
When will we evaluate it?

Alan notes that awareness, empathy, humility, reliability and responsibility are the "muscles" needed for the actions that satisfactorily answer these questions. Notice that the word "right" isn't listed. As I've heard Alan say before, "Do you want to be 'right' or do you want to have a relationship?"

That last question leads me to Alan's final section about dealing with unreasonable people. We all have someone in our lives that fits the unreasonable tag: the "toxic" parent, the controlling spouse, the manipulative acquaintance or the difficult-to-deal-with colleague. Alan lays out strategies to set boundaries in our relationships with such people and avoid the "dramas" they try to entice us into playing with them.

The balance between age-old truisms, modern situations and flexible solutions makes How to Solve Your People Problems a practical guide for overcoming corrosive conflict. What marks this volume out from similar books, though, is that it's not just a mental health professional talking to us through these pages. Alan's humane and inclusive prose makes us feel a friend is helping us relate to other people in an enriching and nurturing new way. I know Ann and I are glad he's been our friend since that day in 2005. Now through this book he can be yours too.

(Click here to go to Alan Godwin's web site. For more about the book or to see purchase options click here to visit Harvest House Publishers.)

A Love Letter To Theater and Broadway

I met Leonard Jacobs when we were both critic-fellows at the 2004 National Critics Institute at the Eugene O'Neill Theater Center. Jacobs is the national theater editor of Back Stage and has a professional background in theater and journalism that makes for an impressive list of accomplishments.

I went on to write some articles for him as a regional correspondent. He's also one of the nicest guys I've ever met and I feel quite privileged to call him my friend.

With that back-story in mind readers would probably expect me to like Jacobs' new book, which has just been issued by Nashville's Turner Publishing Company. His coffee-table-sized tome is plainly and unpretentiously called Historic Photos of Broadway: New York Theater, 1850-1970.

Well, I don't like it. I love it!

Yes, I know as a critic I should be careful about issuing raves. In this case, though, I have no qualms about a "love letter" when Jacobs has so beautifully orchestrated one of his own to theater in general and Broadway in particular.

The pictures and text in this book reveal the Great White Way's rich history like never before while reminding us of why we love the living world of theater today. It deserves the classic "money quote": Historic Photos of Broadway is a can't-miss five-star hit!

Why? It's true that theater brings spoken words and living images to us in a way no book can. But an unbalanced chronicle of Broadway that has too many words or too many pictures keeps us from a sense of what shows we never saw were like and how shows we saw should be remembered. This volume happily avoids those extremes.

Jacobs uses thorough research, a deft writing style and selections from the extraordinary photo collection of the New York Public Library for the Performing Arts' Billy Rose Theatre Division to tell us how Broadway came to be the Broadway we know today. His compilation manages to educate and entertain at the same time.

Yes, there are pictures one might expect from such a book, such as the dust jacket cover photo of Zero Mostel in his legendary role of Tevye in Fiddler on the Roof. That's no complaint, though, since it would be curious if such a shot were left out. But there are also pictures that are unexpected, like one with a wide-mouthed Robert Goulet who looks like he's singing during a costume check for his Broadway debut as Lancelot in Lerner and Lowe's Camelot.

Going further back there are pictures of long-forgotten stars and long-since-demolished theaters that reveal a theater world many of us sadly know little if anything about. One of my favorites is an 1894 photograph of 19th century star Richard Mansfield slumped somewhat forlornly in a chair as Captain Bluntschli in Shaw's Arms and the Man. Although we cannot hear him speak or see him move, the image gives us a glimpse into character and moment that's quite enthralling.

Mansfield doing Shaw not your cup of tea? No worries. With 240 images spanning 120 years Historic Photos of Broadway has more than enough visual options to please just about any reader.

Jacobs gives us names, dates and statistics that we require from such a chronicle. What makes his writing really matter, though, is the enthusiasm for theater he conveys throughout his section texts and captions. And he makes a sensible request in his preface about the black-and-white photographs contained in his labor of love:

"These images ask us not to judge and not to linger. They simply ask us to pay a visit, tip our hats in respect, and take the full measure of our present moment in the theater by sneaking a quick peek through that metaphorical window to the past. These images permit us to shut our eyes yet one more time and try to picture that past. They also let us celebrate our present and they ultimately demand that we press on, to welcome the future with fully open arms."

It's that positive, progressive spirit that makes this book such a joy for me. Historic Photos of Broadway is not merely a record of Broadway or theater's past. It's an inspiration for theater's present and a beacon for its future.

Bravo, Leonard! Vive Le Théâtre!